Remote Mixing
Expand the capabilities of your installed sound system or create a portable mix system that is as easy to use as it is to design and install.
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Large sound systems in a facility are great. But sometimes you need a simple mix system for a special event, rehearsal, small show, instructional class, conference, etc. Aviom products can be combined and configured to add simple, easy to understand mix capabilities to an existing installation that anyone can use.
Aviom's robust A-Net audio transport technology eliminates problems caused by noise, hum, ground loops, and RF interference. Design, installation, and setup are simple, and never require complex IT-based computer programming to be used.
Simple mix systems can be permanently installed or portable. Simple Cat-5 wiring keeps installation costs low and system expansion as easy as connecting additional modules.
Click image to enlarge This system illustrates the flexibility of A-Net based systems. By using an AV-M8 Mic Input Module connected to an A-16R rack-mount mixer, a very simple portable PA system that anyone can operate can be created.
Because the system uses Cat-5 cables to move audio (and, optionally, mix control), set-up is quick, and the wiring is unobtrusive in any environment. Use the A-16CS for simple, cost-effective mix control or a third-party RS232 control system for more advanced control interface options.
Click image to enlarge Sometimes the large, elaborate PA system in an auditorium is too much to handle. When the room has to double as a classroom, meeting room, etc., you just need a simple way to amplify a few mics or play back a CD.
This system shows an easy way to add a secondary sound reinforcement system that is easy to understand and operate.
Click image to enlarge Here's a simple PA system that can be used in the gym for a multitude of purposes, from sporting events and pep rallies to meetings, assemblies, and large classes. The A-16R makes the perfect mixer for these applications. Its simple user interface coupled with 16 preset memory locations make it adaptable to almost any sound reinforcement situation.
With remote controllability using a dedicated controller like the A-16CS or via RS-232 control systems, this system packs a lot of power into a small package.
The AN-16/i-M shown can be used for up to 16 mic/line inputs, or substitute the AV-M8 Mic Input Module for an 8- channel variation.
A-16R
Rack-Mount Personal Mixer
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A-16CS
Control Surface
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AV-M8
Mic Input Module
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AN-16/i-M
Mic Input Module
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The AN-16/i-M provides 16 mic- or line-level analog inputs to a Pro16® system.
A-16D Pro
A-Net Distributor
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The ASI A-Net Systems Interface can be used to connect select Pro16 Series devices to a Pro64 Series network, further enhancing the output options for a system or installation.
The ASI provides a link between Pro64 Series networking products and Pro16 Series output devices, such as the AV-P2 and AN-16/o Output Modules, and the A-16II and A- 16R Personal Mixers. The ASI features two Pro64 network ports and four Pro16 outputs, separated into 16-channel blocks and transmitted out the corresponding Pro16 ports.
The ASI is a plug-and-play module, requiring no configuration beyond selecting a Pro64 network port for Manual Mode systems. The number of available channels and Pro16 ports is determined by the sample rate of the Pro64 network (64 channels and four ports at 44.1/48kH±, 32 channels and two ports at 96kHz±, and 16 channels and one port at 192kHz±). Stereo link settings from the Pro64 network are passed to the Pro16 outputs.
Two AV-M8 Input Modules can be cascaded to create a single 16-
channel A-Net stream by using the built-in ADAT® Lightpipe connections. Once the two AV-
M8s are connected with a standard Toslink optical cable, a single Cat-5e cable can be
connected from the second AV-M8 to any compatible Pro16 output device. Pro16 A-Net
supports Cat-5e cable runs up to 500ft/150m between devices.
Inputs to a Pro16 remote mixing system can come from a combination of mic- and line-level analog sources or from an A-Net compatible console card. Choices for analog input modules include the AN-16/i, AN-16/i-M, and AV-M8; the Y1 card can be used with Yamaha® digital consoles. Cards for a host of leading console manufacturers are available; refer to the Partners section for complete details.
An A-16R Rack-Mount Mixer is used to mix the inputs. With left and right analog outputs, the A-16R can be connected directly to existing DSP modules, amps, and powered speakers.
Mix control can be provided to users either with Aviom's A-16CS Control Surface or select third-party control systems. The A-16CS is connected to the A-16R by a Cat-5e cable (up to 200ft/60m) and provides simple control of channel volumes and presets.
Simply connect your audio sources, power up the input module or host console card, and connect up to 500ft/150m of Cat-5e cable, and you're ready to select output modules, network devices, or mixers.
There are several methods for controlling the A-16R Rack-Mount Mixer. The wired A-16CS Control Surface, which has the same intuitive interface as the A-16II, provides control over channel volume and pan, mix presets, master volume and tone, as well as channel grouping, soloing, and muting. A single Cat-5e cable (up to 200ft/60m) connects the A-16CS to the A-Control port on the rear panel of the A-16R.
In addition, the A-16R can be controlled remotely by select third-party RS232 control systems. Refer to the Partners section for more information.
Finally, the A-16R can be controlled via MIDI, using almost any MIDI controller. Details on MIDI commands can be found in the A-16R User Guide.
- Aviom Product Applications Book - Screen Version
Sample System Diagrams for: Commercial AV, Houses of Worship, Broadcast, Live Sound, and Studios. This book contains over 20 CAD drawings showing sample installations of Aviom audio networks, audio distribution and personal monitor systems in a variety applications.
- A-Net v. Ethernet - Networking Designed for Audio
Streaming networking technology delivers greater power and performance than Ethernet.
- Managing Jitter, Wander, and Latency in Digital Audio Networks
Challenges facing designers of professional-grade digital audio equipment are discussed with clear examples of the advantages of A-Net Pro64.
- A Closer Look at A-Net
Comparing Pro16 and Pro64 - learn about the two versions of Aviom's exclusive A-Net audio transport technology, and find out which is best suited for your application.
- Calibration and Gain Staging with Digital Transport
Learn how to address the most common source of trouble for console users making the switch to digital transport - gain stage calibration.
