Broadcast
From remote trucks, to TV studios, to major event coverage, Aviom can help streamline production.
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At their core, Aviom's audio networking technologies are about moving multiple channels of audio from one point to another and the broadcast world has taken notice.
Powered by our revolutionary A-Net® transmission protocol, Aviom digital snakes and audio networks deliver the flexibility, sonic transparency, and stability required to meet the demands of a wide range of broadcast applications. From adding a simple digital split out to a remote truck or integrating an announce booth, to providing a controlled monitoring environment for a live band or orchestra, to tying together multiple studios or input locations, Aviom's Pro16™ Series and Pro64® Series provide robust, seamless connectivity.
Aviom solutions have also simplified production for broadcast programming featuring concerts, orchestras, and other musical performances. Special events, weekly spots with guest artists, and regular programming have all benefited from the simplicity and efficiency of Aviom's solutions.
Click image to enlarge Two more Personal Mixers are added to the Basic Four-Mix System, giving individual control of up to sixteen channels of audio to six different performers. The A-16D Pro A-Net Distributor on stage supplies audio and power to six A-16II Personal Mixers. Additional Personal Mixers can be added as required.
Two performers monitor with wired earphones, one with headphones, one with a powered wedge speaker, and two use wireless IEMs. Up to eight Personal Mixers can be connected directly to this distributor.
A-16R Personal Mixers can be substituted for any of the A-16IIs shown here.
Click image to enlarge This monitor system uses two Y1 console interface cards in a Yamaha console to provide two zones of monitor content for performers. The engineer can assign audio channels that are required in both monitoring zones to the same channels in each Y1 card from the console's user interface. At the same time, channels unique to each zone are assigned to a specific card.
Click image to enlarge Forty-eight channels of mic/line inputs on stage are connected to three AN-16/i-M Mic Input Modules. All 48 channels are transported via A-Net using a single Cat-5e cable to FOH, where three AN-16/o Output Modules convert the digital audio to analog for connection to the mixing console.
Sixteen channels of return lines from FOH travel over the same Cat-5e cable by incorporating a digital console card and an AN-16/o Output Module.
The AN- 16SBR System Bridge is used to combine the A-Net streams from four devices onto a single Cat-5e cable.
An AN-16/i Input Module can be substituted for return lines from an analog console.
Click image to enlarge Each 6416dio Digital I/O Module in a Pro64 network is capable of 16in/16out operation at sample rates up to 192kHz. This system shows 16 AES3 digital audio signals patched into each 6416dio module; input channels are assigned to Slot ranges within the network. Once active on the Pro64 network, these channels can be output anywhere by simply tuning an output module to the same channel range. In this example the same 6416dio modules used for inputs can also output 16 digital AES3 signals from a different Slot range within the Pro64 network.
Digital splits can be created anywhere in the network by connecting additional I/O modules or console cards.
Click image to enlarge In this system, a pair of Yamaha® digital consoles are
linked
with a 32x32 Pro64 digital snake that uses just one Cat-5e
cable between the two locations. Each console has two 6416Y2
cards installed, each of which can provide 16 inputs and 16
outputs simultaneously. By setting each card to transmit and
receive a unique region of the Pro64 network, the operators can
easily route and transfer audio signals between the consoles
digitally.
Digital splits of the data from either
console can be created by adding Pro64 output modules set to
the same channel range as the channels you want to copy. The
digital splits can be analog, digital, or even additional Yamaha
consoles with 6416Y2 cards installed.
Add the MH10 or MH10f Merger Hub to this system to provide
additional distance between the Pro64 devices or add parallel
connectivity.
Click image to enlarge This digital snake connects 32 channels of mic signals from four Yamaha® AD8HR preamps to a pair of 6416dio Digital I/O Modules. Pro64 A-Net connects the 6416dio modules to a Yamaha digital console fitted with two 6416Y2 cards. Content for return lines from FOH, as well as monitor content, is generated at the console and transmitted over the same Cat-5e cable back to the stage.
Alternatively, a digital split to a monitor desk can be added serially or with an MH10 Merger Hub. Monitor content can be returned to the stage over the same cable.
Monitor feeds are converted from Pro64 A-Net to the Pro16 format compatible with Pro16 Personal Mixers by the ASI.
Click image to enlarge Well suited for broadcast productions, this system illustrates how to transfer 16 channels of audio over fiber from a venue to a remote location, such as a production truck.
Analog line-level inputs are shown, but the AN-16/i-M Mic Input Module can be substituted if mic-level inputs are required for an application.
Click image to enlarge Using third-party media converters, a pair of Pro16 input modules each transmits 16 channels to a pair of AN-16/o Output Modules over single- or multi-mode fiber. Sixteen channels are transmitted in each direction for a 16x16 configuration.
The AN-16/i line-level input module is shown in the diagram, but the AN-16/i-M Mic Input Module can be substituted to move mic-level signals.
Digital splits can be created by simply connecting additional output modules with a Cat-5e cable.
Click image to enlarge Tie lines can be used to connect rooms, venues, recording studios, classrooms, buildings, production areas, or remote trucks so that users can share data effortlessly.
This system shows four similarly equipped locations that have both analog and digital I/O modules installed. Locations are connected with MH10f Merger Hubs making it easy to use fiber for long distance runs where needed.
Click image to enlarge The remote controllable 6416m Mic Input Module can
operate at sample rates up to 192kHz. Up to 16 mic signals are
patched into the 6416m and these input channels are assigned
to Slots within the network. Once active on the Pro64 network,
these channels can be output anywhere by simply tuning an
output module to the same channel/Slot range. In this example
a 6416dio module is used to output digital AES3 data from the
Pro64 network.
The RCI Remote Control
Interface and the MCS Mic Control Surface can be connected
anywhere in the Pro64 network and offer complete control over
the 6416m input channel parameters.
Digital
splits can be created anywhere in the network by adding
additional output modules (analog, digital, or console cards) set
to the same channel range.
By adding ASI A- Net Systems Interface to this setup, Pro16 output devices such as the A-16II Personal Mixer can be used.
Add the
MH10 or MH10f Merger Hub to this system to provide additional
distance between the Pro64 devices or add parallel connectivity.
Click image to enlarge Up to 16 mic signals are patched into the 6416m Mic input
Module and these input channels are assigned to Slots 1-16
within the Pro64 network. Once active on the network, these
channels can be output anywhere by simply tuning an output
module or console card to the same channel/Slot range. In this
example a 6416Y2 card in a Yamaha digital console is used to
connect the mic signals from the Pro64 network digitally to the
console.
To control the mic preamps, the RCI
Remote Control Interface and the MCS Mic Control Surface can
be connected anywhere in the Pro64 network. Here they are
shown connected to the second A-Net port on the 6416Y2
card installed in the Yamaha console.
The 6416Y2 card can output 16 channels form the console while
at the same time receiving the 16 mic inputs described above.
By adding ASI A-Net Systems Interface to this setup, Pro16
output devices such as the A-16II Personal Mixer can be used to
create a monitor system for performers.
6416dio
Digital I/O Module
|
6416m
Mic Input Module
|
MH10f
Merger Hub
|
A-16II
Personal Mixer
|
A-16R
Rack-Mount Mixer
|
6416Y2
A-Net Interface Card
|
ADR Sessions for TV and Movies
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Simplified Audio Distribution For Reality Television |
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"American Idol" Uses Personal Mixers For Communications Network |
| |
Multi-Zone Monitoring at the Academy Awards |
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Yo, Aviom! |
| |
High-Tech "Iron Man" Relies on Aviom Technology |
Intro to the 6416m Mic Input Module
Ray Legnini, Aviom's Product Research and Development Manager, takes you on a tour of the features and benefits of our revolutionary new 6416m Mic Input Module.
- 6416m/RCI/MCS User Guide
Includes 6416m Mic Input Module, RCI Remote Control Interface, & MCS Mic Control Surface. (17.5MB)
- 6416Y2 A-Net Interface Card Quick Start
This document shows suggested card setups that can be used as starting points when creating an audio network using the 6416Y2 and other Pro64 products.
- Remote Control of Yamaha Mic Pres with the 6416Y2 and VDCs
Pro64 Virtual Data Cables can be used to send control data from a Yamaha digital console to Yamaha remote-controllable mic preamps such as the AD8HR. This document explains how to set up your system and configure the 6416Y2 for this application.
- Aviom Product Applications Book - Screen Version
Sample System Diagrams for: Commercial AV, Houses of Worship, Broadcast, Live Sound, and Studios. This book contains over 20 CAD drawings showing sample installations of Aviom audio networks, audio distribution and personal monitor systems in a variety applications.
- A-Net And Video: Transmitting Video Over Cat-5 Cables
Using a pair of inexpensive Baluns, you can easily transmit composite video over your Pro16 audio distribution system, for monitoring remote locations or displaying information like song lyrics on remote monitors.
- Using Fiber Optics With Pro16 Systems
For applications requiring cable runs longer than 500ft, fiber optic media converters can be used to extend the distance between Pro16 devices to up to 50 miles (80 kilometers).
- A-Net v. Ethernet - Networking Designed for Audio
Streaming networking technology delivers greater power and performance than Ethernet.
- Managing Jitter, Wander, and Latency in Digital Audio Networks
Challenges facing designers of professional-grade digital audio equipment are discussed with clear examples of the advantages of A-Net Pro64.
- A Closer Look at A-Net
Comparing Pro16 and Pro64 - learn about the two versions of Aviom's exclusive A-Net audio transport technology, and find out which is best suited for your application.
- Calibration and Gain Staging with Digital Transport
Learn how to address the most common source of trouble for console users making the switch to digital transport - gain stage calibration.
