Education
From the stage to the classroom, Aviom improves performance and simplifies control.
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From the school stage and practice room to the classroom, gymnasium, and multi-purpose room, Aviom's audio distribution and mixing solutions provide enhanced control and flexibility without complexity.
In music applications, Aviom's category-defining Pro16™ Monitor Mixing System allows student performers to hear themselves more clearly and in the context of the ensemble as a whole. In rehearsal studios and instruction labs, Aviom gives teachers an invaluable tool for demonstration, evaluation, and lesson reinforcement.
In other applications, Aviom systems can be tailored to provide the level of control needed for a particular space. Whether in a lecture hall or meeting room, multi-purpose facility or gymnasium, an Aviom system is a cost-effective solution for moving and mixing audio in a school, college, or university.
Aviom's audio networking technologies can help reduce installation costs, add flexibility, and improve sound quality while sharing audio channels, connecting rooms, or adding tie lines between buildings. Because all audio is distributed using standard Cat-5e cables or fiber, installation and maintenance are straightforward, especially compared to running a lot of analog wire and troubleshooting analog systems.
Click image to enlarge Two more Personal Mixers are added to the Basic Four-Mix System, giving individual control of up to sixteen channels of audio to six different performers. The A-16D Pro A-Net Distributor on stage supplies audio and power to six A-16II Personal Mixers. Additional Personal Mixers can be added as required.
Two performers monitor with wired earphones, one with headphones, one with a powered wedge speaker, and two use wireless IEMs. Up to eight Personal Mixers can be connected directly to this distributor.
A-16R Personal Mixers can be substituted for any of the A-16IIs shown here.
Click image to enlarge One of the biggest challenges for musicians performing in an orchestra pit involves monitoring the other performers. The physical layout of a typical pit makes it difficult to see and hear the other players.
This diagram shows a monitor system that can be expanded to suit the needs of any size ensemble. The console feeds 16 channels to the input module which outputs an A-Net data stream, which is distributed to the Personal Mixers in the pit. Musicians can listen through headphones or earphones, according to their personal preference.
This system can be expanded to include additional musicians and remote locations within the theater by adding more distributors and personal mixers as needed.
Click image to enlarge This setup is an ideal design for a music teaching lab. Up to eight stereo or sixteen mono keyboards can be used. Combinations of students' and instructors' instruments can be saved to the memory location of the Personal Mixers for easy recall.
With each student performer wearing headphones or in-ear monitors connected to a Pro16 Personal Mixer, everyone can enjoy the feel of playing at full volume without actually making much audible sound.
Connect line-level signals from the keyboards to the A-Net input module. For mic-level signals, choose the AN-16/i-M which accepts both mic- and line-level audio.
The direct connection method is ideal for line-level instruments such as keyboards; no audio mixer is required. Simply patch the stereo outputs of your keyboard into the line- level inputs of the A-Net input module.
Click image to enlarge Sometimes the large, elaborate PA system in an auditorium is too much to handle. When the room has to double as a classroom, meeting room, etc., you just need a simple way to amplify a few mics or play back a CD.
This system shows an easy way to add a secondary sound reinforcement system that is easy to understand and operate.
Click image to enlarge Here's a simple PA system that can be used in the gym for a multitude of purposes, from sporting events and pep rallies to meetings, assemblies, and large classes. The A-16R makes the perfect mixer for these applications. Its simple user interface coupled with 16 preset memory locations make it adaptable to almost any sound reinforcement situation.
With remote controllability using a dedicated controller like the A-16CS or via RS-232 control systems, this system packs a lot of power into a small package.
The AN-16/i-M shown can be used for up to 16 mic/line inputs, or substitute the AV-M8 Mic Input Module for an 8- channel variation.
Click image to enlarge Up to 8 conference mics are connected to an AV-M8 Input Module. Audio signals are converted to digital and are output as A-Net data. A-Net from the input module connects to an AN-16/o Output Module in the equipment room using Cat-5e cable.
Individual analog line-level audio channels from the AN-16/o connect to a DSP device for processing. The output from the DSP feeds a power amp which sends the processed audio to ceiling speakers.
Click image to enlarge Two AV-M8 input modules are cascaded via the built-in ADAT® digital connection to create a single 16-channel A-Net stream. Up to 8 conference mics can be connected to each AV-M8 input module. Additional audio from line-level sources such as a CD or DVD player, computer, video system can also be connected to the AV-M8; it has built-in pads available on channels 1-2 for just this purpose.
The two AV-M8 modules in this system are connected digitally to create a single 16-channel A-Net stream. A single Cat-5e cable from the AV-M8 connects to an AN-16/o Output Module in the equipment room. The line-level audio outputs from the AN-16/o connect to a DSP processor. The output from the DSP feeds a power amp that sends the processed audio to ceiling speakers.
An optional RS-232 remote control can be added to the DSP device.
Click image to enlarge This system illustrates the flexibility of A-Net based systems. By using an AV-M8 Mic Input Module connected to an A-16R rack-mount mixer, a very simple portable PA system that anyone can operate can be created.
Because the system uses Cat-5 cables to move audio (and, optionally, mix control), set-up is quick, and the wiring is unobtrusive in any environment. Use the A-16CS for simple, cost-effective mix control or a third-party RS232 control system for more advanced control interface options.
Click image to enlarge Tie lines can be used to connect rooms, venues, recording studios, classrooms, buildings, production areas, or remote trucks so that users can share data effortlessly.
This system shows four similarly equipped locations that have both analog and digital I/O modules installed. Locations are connected with MH10f Merger Hubs making it easy to use fiber for long distance runs where needed.
AV-M8
Mic Input Module
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A-16R
Rack-Mount Mixer
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A-16CS
Control Surface
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AV-P2
Output Module
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AN-16/o
Output Module
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MH10f
Merger Hub
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Art Institute of Seattle Adds Pro16 Cue System
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Theater Program Quality Improves With Addition of Pro16 Monitoring |
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London School of Sound Adds Cue System |
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Smooth Recording Sessions at The Tank Studio |
A-16II Guided Tour
This video explores many of the features and functions of Aviom's revolutionary A-16II Personal Mixer. Follow along to learn how to select channels, adjust volume and pan, save and recall Presets, and more.
Pro16 in 2.5 Minutes
Well, our multimedia guys got into the Red Bull again, and the result is this fast paced overview of Aviom's Pro16™ Monitor Mixing and Audio Distribution systems. Fasten your seatbelt and enjoy the ride.
Intro to the 6416m Mic Input Module
Ray Legnini, Aviom's Product Research and Development Manager, takes you on a tour of the features and benefits of our revolutionary new 6416m Mic Input Module.
- Remote Control of Yamaha Mic Pres with the 6416Y2 and VDCs
Pro64 Virtual Data Cables can be used to send control data from a Yamaha digital console to Yamaha remote-controllable mic preamps such as the AD8HR. This document explains how to set up your system and configure the 6416Y2 for this application.
- Aviom Product Applications Book - Screen Version
Sample System Diagrams for: Commercial AV, Houses of Worship, Broadcast, Live Sound, and Studios. This book contains over 20 CAD drawings showing sample installations of Aviom audio networks, audio distribution and personal monitor systems in a variety applications.
- Using Fiber Optics With Pro16 Systems
For applications requiring cable runs longer than 500ft, fiber optic media converters can be used to extend the distance between Pro16 devices to up to 50 miles (80 kilometers).
- A-Net v. Ethernet - Networking Designed for Audio
Streaming networking technology delivers greater power and performance than Ethernet.
- Managing Jitter, Wander, and Latency in Digital Audio Networks
Challenges facing designers of professional-grade digital audio equipment are discussed with clear examples of the advantages of A-Net Pro64.
- A Closer Look at A-Net
Comparing Pro16 and Pro64 - learn about the two versions of Aviom's exclusive A-Net audio transport technology, and find out which is best suited for your application.
- Calibration and Gain Staging with Digital Transport
Learn how to address the most common source of trouble for console users making the switch to digital transport - gain stage calibration.
