Aviom Library

Includes AN-16/i Input Module and AN-16/o Output Module

Includes 6416m Mic Input Module, RCI Remote Control Interface, & MCS Mic Control Surface. (17.5MB)

Includes AN-16/i Input Module and AN-16/o Output Module

This document shows suggested card setups that can be used as starting points when creating an audio network using the 6416Y2 and other Pro64 products.

Includes the original A-16 Personal Mixer and the A-16T Transmitter (both now discontinued).

Better Performance Through Better Monitoring - Learn how the Pro16 Monitor Mixing System can improve productivity at rehearsals and how this translates directly to improved on-stage performance.

Musicians and engineers are both affected by the quality of the cue mixes during a session. The Pro16 Monitor Mixing System can improve workflow and cue mix quality.

Adding contemporary music to a worship service poses several problems related to high volume levels. Controlling excessive stage volume by using Personal Mixers, IEMs, and/or headphones can improve the experience for everyone involved.

This document covers issues related to monitoring on stage from both the performer's and the engineer's perspectives.

More and more performers are turning to wireless in-ear systems for their stage monitoring needs. Learn how to integrate Aviom's Pro16 Personal Mixing System with your wireless in-ear setup.

Pro64 Virtual Data Cables can be used to send control data from a Yamaha digital console to Yamaha remote-controllable mic preamps such as the AD8HR. This document explains how to set up your system and configure the 6416Y2 for this application.

This basic Pro16™ Monitor Mixing System provides independent control over monitor mixes to five members of a Worship Team. Sixteen channels are fed from the console to the Monitor Mixing System, where they are digitized and distributed over standard Cat-5e cables to the individual Personal Mixers.

The heart of the system is a 64-channel Pro16™ digital snake comprised of 48 inputs on stage and 16 returns from front of house. Stage inputs are also fed to a monitor console in the wings via analog splits on the snake input modules.

In this digital snake system, 48 channels are transmitted from stage to front of house, with 16 channels of returns brought back to the stage.

In this Pro64® snake, sixty-four inputs on stage are transmitted digitally to front of house, with 16 channels of processed returns and two 16-channel monitor feeds transmitted back to the stage. Monitor feeds are passed to two Pro16™ Monitor Mixing Systems on stage.

Sample System Diagrams for: Commercial AV, Houses of Worship, Broadcast, Live Sound, and Studios. This book contains over 20 CAD drawings showing sample installations of Aviom audio networks, audio distribution and personal monitor systems in a variety applications.

Same as above, but optimized for printing.

Using a pair of inexpensive Baluns, you can easily transmit composite video over your Pro16 audio distribution system, for monitoring remote locations or displaying information like song lyrics on remote monitors.

For applications requiring cable runs longer than 500ft, fiber optic media converters can be used to extend the distance between Pro16 devices to up to 50 miles (80 kilometers).

Streaming networking technology delivers greater power and performance than Ethernet.

Challenges facing designers of professional-grade digital audio equipment are discussed with clear examples of the advantages of A-Net Pro64.

Comparing Pro16 and Pro64 - learn about the two versions of Aviom's exclusive A-Net audio transport technology, and find out which is best suited for your application.

Learn how to address the most common source of trouble for console users making the switch to digital transport - gain stage calibration.

This paper addresses questions about output levels on Aviom analog output modules, and clarifies what I/O levels are available for using Aviom analog input and output modules in a range of applications.

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Print channel strip labels for A-16II Personal Mixers from this template. (The scribble strip is in Microsoft Excel format in a zip file.)

This document details the pinouts and cable types necessary to use Aviom Pro64 Virtual Data Cables with RS-232 and RS 422 devices.

Some Aviom modules are equipped with DB25 multi-pin connectors for analog or digital audio I/O. This document details the pinouts used for each.

The MIDI system exclusive (sys-ex) specification for the A-16R.

This file contains CAD drawing objects of all Pro16 and Pro64 products in DXF and DFG format. Products are grouped by category and include I/O variations.

This interactive form will guide you to determine the number of mixers, input and output devices needed for your church or band, and the tool will build a parts list for you as you go. You can then print the specs for your system, or even email it to yourself.

Simple instructions show how to build your own Cat-5e cables.

Instructions for adding a simple filter to eliminate noise problems when using A-Net Personal Mixers with certain wireless in-ear transmitter products.

CAD drawings show the interconnection and signal flow of the various components of an audio system. This document uses an example system drawing, with its components annotated, to help you understand the CAD drawings you'll find on this site.